Equate Soft And Smooth Wipes

Dummies Schulz

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Agnes Rozciecha

"Cinnamon Shops" Schulz, as he wrote Sandauer Adam is a fantastic autobiography excerpts . The writer has created them for myself and a handful of his friends. For the issue of short stories contributed Nalkowska Sophie, delighted with novelty and beauty "Stores ...". All the stories from the volumes of "Cinnamon Shops" and "The Sandglass" the author says about his childhood, relate memories of the immediate family, friends and hometown Drohobycz. Schulz is an innovative procedure to make the narrator a teenage boy, Joseph, who is experiencing unusual sensations. Critics have emphasized novelty and originality of the language Schulz. Characteristic of his style are the semantic and stylistic personality, and the accumulation of foreign words. Breza, Tadeusz, Polish writer, who claims that the language represents the finest achievement Schulz said: U Schulz words do not sound extraneous cudzoziemsko but brilliant . (A. Sandauer degraded Reality (The thing about Bruno Schulz), Kraków 1973)

One used by the main opposition Schulz is a man - a mannequin. Mannequins surrounded by people from all sides - plenty of them at exhibitions Street of Crocodiles, the father of his treatise presents to the two dummy krawcowych and tailoring. This figure shows the guise of fascination and imperfection. The dummy is a man who became the subject entity. In his treatise father, Joseph calls: want to create a second time the man in the image of the dummy. dummy is to be appointed an ad hoc basis for any gesture or event. There must be a complete form. The essence of the dummy is to save resources to create a dummy does not need great skill, simply use the natural conditions of matter. The matter is in fact willing to create unnatural forms of existence - the temporary and junk. Mannequins are a symbol of Street of Crocodiles, personify the corruption and haste. They also represent a substitute for a degraded man, lost in modern civilization. The whole "Treatise on mannequins, like a creature created by Victor Frankenstein is a story woven from the earlier story about the creatures of uncertain ontological status, on the borderline of life and death. The Treaty is full of hidden allusions to the works where there is this theme. You can be applied to the Jewish legend of Golem - a clay substance alleged to artificial means of life, the force of human language, mostly using the magical formulas. There are references to Mary Shelley's Frankenstein, "the Cabinet of Wax" and "Golem" Gustav Meyrink "fair-Buda" Blok (recital Pierrot), the characters in the songs Leśmian. Today, many artists are inspired by Schulz's literary and artistic works. Arise festivals devoted to his person, the exhibition of paintings, photography and music bands. It's fair to say that Bruno Schulz is one kind of an icon for the artists, except that many have is "Schulzologów.

Agata Rościecha is strongly inspired by the artist. The artist her diploma at the Academy of Fine Arts in Krakow in the studio Kunz, where she studied. Recently presented his work at solo exhibitions at the Gallery at the factory Artinfo.pl Reeds in Warsaw (2007) and in the Gallery Under the notary in Cracow (2008). Agate Painting Rościechy is built consistently story about a woman and the various facets of her personality. The artist says in a few techniques: easel painting, pastels, experimenting with the graphics. Her work is a constant flirt, play between painting and graphic techniques of expression. Freely moving from large-format paintings in the composition in an intimate scale. Regardless of the technique examines womanhood in its various aspects. In the ongoing dispute between the aesthetics of beauty and aesthetics of ugliness werystycznej builds tension precluded a dummy passing of her work. Her work does not flatter fashions, is elegant and exudes sensitivity. Her paintings are simple, quiet and almost ascetic, played out over a few colors, but accumulate in the extraordinary energy.

Image "Dummies" presents four female dressmaker dummies, two black and two white, one black on the base. White dummies overlap, the project can be seen on a white skirt. Picture of "Treatise on Mannequins" is inspired by Bruno Schulz's short story "Dummies" and, like a literary archetype exudes sensitivity. A love of detail and decorative forms arising from the relationship of the author of the tapestry in its work balances simplicity, skilful abandonment of excess detail and lack of literalness. The history is a picture of a woman - this, which is a variable that can be attractive, beautiful, sensitive but also being oversensitive, strong, able to fight for your dreams and be calculated in her shadow. Always struggling with life and those who want to tame her and her free will. It is strong yet subtle or extreme combines proper feminine nature.